Interview with Kazumi Tsuji

My introduction to ARTS&SCIENCE began in 2011, when I was invited to participate in a collaborative project. Although that specific initiative did not come to fruition, Sonya graciously conveyed her desire to work together in the future, stating, “I hope to collaborate one day.” In 2012, as ARTS&SCIENCE prepared to unveil a vibrant collection of naturally dyed textiles, I was approached to create glassware that would resonate with the essence of this collection. This collaboration culminated in two exhibitions at ARTS&SCIENCE: “Joyful Feeling / collaboration with ARTS&SCIENCE,” featuring an array of colorful glasses in shades of pink, yellow, green, and blue, and “reclaimed blue project.” This memorable project involved hosting two exhibitions at the same time in different spaces, each showcasing a different concept. This project also marked the debut of the reclaimed blue series.

The reclaimed blue series features the motto, “You can always return it to the workshop.” I believe that objects will eventually become unnecessary or break at some point. So, when that happens, why not melt them down and transform them into something new? This is my proposal. I dedicate about a month each year to production. When I melt black glass in the furnace, it turns into a deep blue, while colorful glasses like pink and yellow yield a lighter blue. In the beginning, I did not fully grasp the logic behind the varying shades of blue, so I melted mixed scrap glass without sorting the colors. Gradually, I began to understand the process, and by differentiating the colors, I expanded the possibilities of my creations.

People often assume that glass ⇄ plastic is a series with themes of recycling similar to reclaimed blue, but that is not the case. I have a collection of old plastic candy boxes and cups that I gathered because they are kitschy and cute. One day, I realized these items were created as replicas of glass. Everyday objects that we frequently use and carry can break if they are made of glass, which is why they are typically designed in the same shape using plastic. This inspired the idea: ‘Let’s transform them back into glass!’ Thus, this series was born from that concept.

At the core of my work is the belief that my creations are meant for daily use, rather than for display in museums or galleries. I hope that when people pick up my glasses to drink water in the morning, they feel encouraged and think, “Alright, let’s make the most of today.” I would be thrilled if they could recall the concept behind the glass, even in a small way, during their daily lives. When they hold a glass from the reclaimed blue series, I want them to consider, “One day, if I no longer need this, I’ll have it melted down.” Ultimately, I aspire for my work to find a place in as many people’s homes as possible.

As a craftsperson, I have always aimed to create my work with an emphasis on the message and philosophy behind the objects. It is no exaggeration to say that my life has been dedicated to glass. I cannot distance myself from making glass, and I want to cherish my way of life. Furthermore, I wish to contemplate what I can do for others. Glass, life, and love—these three elements form my foundation.